Fantails on Wood
Our Fantails on Wood ceramics feature charming, hand-painted fantail birds perched on rustic wooden backgrounds. These pieces beautifully blend nature-inspired artistry with practical design, making them perfect for adding a touch of New Zealand’s natural beauty to your home. These ceramics are a unique and thoughtful addition to any space.
Handmade locally in Kirikiriroa Hamilton by Vaughan Norman who began pottery in South Africa in the early 1980s.
Vaughan Norman is currently producing functional stoneware pottery and sculptures using a reduction-fired gas kiln. Vaughan identifies with the oriental stoneware tradition, drawing inspiration from the work of Shoji Hamada, Bernard Leach, and their mentor from South Africa, Andrew Walford.
Our Fantails on Wood ceramics feature charming, hand-painted fantail birds perched on rustic wooden backgrounds. These pieces beautifully blend nature-inspired artistry with practical design, making them perfect for adding a touch of New Zealand’s natural beauty to your home. These ceramics are a unique and thoughtful addition to any space.
Handmade locally in Kirikiriroa Hamilton by Vaughan Norman who began pottery in South Africa in the early 1980s.
Vaughan Norman is currently producing functional stoneware pottery and sculptures using a reduction-fired gas kiln. Vaughan identifies with the oriental stoneware tradition, drawing inspiration from the work of Shoji Hamada, Bernard Leach, and their mentor from South Africa, Andrew Walford.
Our Fantails on Wood ceramics feature charming, hand-painted fantail birds perched on rustic wooden backgrounds. These pieces beautifully blend nature-inspired artistry with practical design, making them perfect for adding a touch of New Zealand’s natural beauty to your home. These ceramics are a unique and thoughtful addition to any space.
Handmade locally in Kirikiriroa Hamilton by Vaughan Norman who began pottery in South Africa in the early 1980s.
Vaughan Norman is currently producing functional stoneware pottery and sculptures using a reduction-fired gas kiln. Vaughan identifies with the oriental stoneware tradition, drawing inspiration from the work of Shoji Hamada, Bernard Leach, and their mentor from South Africa, Andrew Walford.
